The Communist Manifesto (Illustrated). Chapter One: Historical Materialism
Edited by George S. Rigakos, illustrated by Red Viktor
29 pages. Red Quill Books. $12.50.

The crew at Red Quill Books has decided to put out a comic book version of Karl Marx and Friedrich Engels’s 1848 text, The Communist Manifesto. That may seem old school but the text seems remarkably fresh, like it was written yesterday, when placed alongside images of our own world today.

For example, we see images of Western UN soldiers handing out aid in an unspecified African country, even as military helicopters bombard villages. Marx and Engels’s text accompanies: “Just as [capitalism] has made the country dependent on the towns, so it has made barbarian and semi-barbarian countries dependent on the civilised countries, nations of peasants on nations of bourgeois, the East on the West.”

The language may be archaic (who they calling barbarian?) but its meaning comes through, especially when placed along the illustrations by Victor Serra (Red Viktor). Without a doubt, the best image is of a human pyramid of class struggle — ordinary folk throughout the ages struggling and climbing atop of rulers and their police forces: “The history of all hitherto existing society is the history of class struggles.”

But the editor, George S. Rigakos, a professor at Carleton University, saw fit to rearrange and trim some of the original words. While trimming might have been okay, throwing the words out of order seems to me to take away from some of the force of how Marx and Engels build their argument step by step. The text in the comic book seems a bit disconnected, rather than something building up.

Also, rather than letting the German revolutionary philosophers speak for themselves, Marx and Engels’s text is preceded by an editorial introduction in two parts. The first is a written piece by Prof. Rigakos which sounds almost apologetic about doing up this comic, given the supposedly repressive history of communism when put in practice — though apologetic, the piece is hopeful about new readers discovering the text. This apology is followed by a lengthy and wordless illustrated sequence where an old school, disillusioned communist activist yells at Marx’s grave in the rain, angry about Stalin and Pol Pot.

By no means should those struggling to build a new and better world avoid examining the sometimes colossal mistakes of actually-existing socialisms in the 20th century (though, even by that standard, Pol Pot’s Cambodia is a far stretch — it was backed by the imperialist United States in war against communist Vietnam). But Prof. Rigakos could have started out the comic by examining the relevance of Marxism and communism as a living and vital force in world politics today, be it the resistance of peoples in Latin America trying to build new socialisms, or the revolutionary communism of the peoples of Nepal, India and the Phillippines.

Instead, Prof. Rigakos gives too much to the current ruling classes who seek to discredit everything about communist movements past and present, trying hard to pretend that Marxism and communism are dead. So it comes down to Prof. Rigakos and Mr. Serra to breathe some new life into it by “reanimating” the text, as he puts it. But that text is already being animated by peoples around the world.

This book is the first of four parts, and hopefully the following parts focus more on what Marx and Engels wrote themselves and the living relevance of Marxism and communism today. Trying to introduce The Communist Manifesto to a new generation of students and youth is definitely a worthwhile effort, and we hope Prof. Rigakos and Mr. Serra are successful in this.

$12.50 is a bit hefty when your average monthly comic goes for $3 or $4 (and is therefore out of the reach of a lot of working folk), but it is a slickly produced, full-colour book by a small publisher and part of the proceeds go to supporting student scholarships. So if you have the money and like radical comics, you might want to get the four parts as they come out. Definitely grab a hold of the comic books from a library.